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Masha Varnavski Shares The Setters Agency’s Formula For Turning Clicks Into Revenue

Masha Varnavski had seen the numbers before. As a senior social media executive at a global e-commerce company valued at $86 million during its Initial Public Offering, she knew how easily brands could confuse visibility with profitability. Yet, when local medical and aesthetic clinics began asking for her help, she noticed a recurring pattern: great services, lifeless social media, and zero measurable return.

“They could inject a forehead and insert implants,” she says, “but had no clue how to inject humor or storytelling that actually sells into their socials.”

In 2019, she left her corporate role to launch The Setters Agency, a New York-based firm built around one principle: social media should be a sales channel, not a popularity contest. What began as a boutique consultancy for aesthetic clinics has grown into a 40-person agency serving clients across healthcare, e-commerce, and technology. 

“We make Instagram and TikTok our clients’ #2 patient source – right after referrals,” Masha notes.

Building a System

The Setters Agency’s core proposition is clear: creative output must serve commercial goals. 

“From day one, I knew we were not going to be just a content agency,” Masha explains. “Posting funny Reels without a funnel doesn’t bring revenue.”

The agency’s integrated model aligns content creation, paid advertising, influencer marketing, and conversion-funnel design under one framework. “We start with the business goal – leads, appointments, or online purchases – and then build everything around that,” she says.

To deliver that, Masha recruited what she calls a generational mix of “polished millennials” and “creative Zoomers.” 

The former handle analytics, media buying, and client management; the latter shape fast-moving content optimized for TikTok and Instagram. Partnerships with top European marketing colleges have helped the agency recruit students seeking U.S.-based experience, trained through The Setters’ own video education programs. Those materials became an unexpected revenue source: “We now successfully sell that training to other social media agencies,” she adds. “That’s how The Setters Academy was born.”

Diagnosing the Conversion Gap

Many of the brands that approach The Setters Agency share a common problem: their social channels are visually appealing, but commercially ineffective. Masha calls it the “vanity trap.”

“There are three main reasons brands plateau,” she explains. “First, content is not strategy. They post for the algorithm, not for the audience. Second, they ignore the data – tracking likes instead of cost per lead or return on ad spend. And third, they sound like everyone else. If your brand sounds like ChatGPT wrote it in five seconds, your audience will scroll in two.”

Each client engagement begins with a comprehensive audit, covering messaging clarity, call-to-action structure, and website load times. “We look for leaks and lazy spots,” Masha says. “Sometimes the problem isn’t the content at all. It’s a landing page that loads slower than Windows 2000.”

Once diagnostic gaps are identified, The Setters team rebuilds the full marketing funnel: content strategy, ad campaigns, influencer collaborations, and conversion flows. Every post or video is tracked against a single Key Performance Indicator – sales. “We design the path from ‘funny post’ to ‘confirmed sale,’ using landing pages, retargeting, and follow-up emails,” Masha says. “One system. One team. One scoreboard.”

Inside the Conversion Playbook

The Setters methodology is grounded in performance data. For brands transitioning from engagement-heavy strategies to conversion-driven systems, Masha focuses on a different set of numbers that reveal buyer behavior rather than just audience interest. “If you have 100,000 followers and only three monthly bookings, something is broken,” she says. 

The first signal she looks for is click-through rate, a measure of whether people are actually moving from content into the funnel. Once paid media campaigns begin, she tracks cost per lead or cost per purchase to gauge the efficiency of ad spend.

But the analysis doesn’t stop at the click. “If people land on your page and don’t take action, it’s not the content’s fault – it’s the funnel,” she explains. By tracking landing-page conversion rates and comparing revenue across platforms, her team can quickly pinpoint which channels are truly performing and which are just driving traffic without returns.

The agency’s case studies underscore how this framework transforms performance. One example involves European-based plastic surgeon Dr. Vladislav Grigoryants, who came to the agency with “30,000 mostly fake followers, inconsistent content, and zero patient flow from social media.” 

Masha’s team rebranded the account, rebuilt its funnel, and launched barter-based influencer collaborations, including with creators with more than 5 million followers. They also layered in paid ads, Telegram channels, and email sequences.

The results? “His account grew from 30,000 ghost followers to nearly half a million real ones,” Masha recalls. “Instagram became his #1 source of high-ticket leads, delivering daily DMs and booked surgeries through Stories.” 

The surgeon remains a client six years later.

Managing Influencers Like Revenue Partners

Influencer marketing, a service many agencies treat as brand exposure, is another performance lever at The Setters Agency. “We don’t chase influencers for vanity,” says Masha. “We treat them as conversion partners.”

Each collaboration undergoes a data-driven review: audience demographics, engagement rates, story performance, and authenticity checks. “A skincare influencer with 90% teenage fans is great for views – not for selling $400 facials,” she says.

Her team uses social-listening tools to flag suspicious follower spikes and prioritizes influencers with a proven ability to move product. “If it feels forced, the audience will smell it,” she adds. “No one buys from an awkward influencer-brand marriage.”

Scaling Through Systems

As Masha’s agency grew, operational discipline became a non-negotiable. “We learned that scaling creativity requires structure,” she says. 

Five internal processes are now mandatory: strategic client onboarding, weekly cross-team syncs, data tracking, a “zero-ghosting policy” to maintain communication, and a proprietary creator library that archives top-performing campaigns.

“We keep an internal library of our best-performing hooks, creatives, influencer campaigns, and ads,” she says. “This lets the team work smarter – using what’s proven, not starting from scratch every time.”

The firm’s training division also extends beyond internal development. Through corporate programs for in-house brand teams, The Setters Agency teaches marketing departments to stop “posting for decoration” and start “running a strategic sales engine.” 

Each session reframes content as a conversion tool: “We define what action each post should drive,” Masha explains. “If you’ve ever seen one of our Reel scripts, you’d get it – it’s built like a mini funnel: hook, benefit, call to action (CTA), and retargeting plan.”

Rethinking the Social Media Mindset

Masha is open about what she sees as the industry’s biggest misconceptions. 

“Brands still think the social media manager’s job is to make the page look good and posts go viral,” she says. “They chase grid aesthetics and celebrate likes, while doing nothing to move followers from the feed to the DMs.”

Another persistent myth, she adds, is that simply posting consistently will bring results. “Without positioning, strong CTAs, a platform-specific strategy, and proper tracking, you’re just entertaining people,” she says.

And while she believes social media management can be learned, she’s quick to temper expectations: “It’s definitely not rocket science – but it takes time. Not two to five hours a week. Think two to five hours a day. Anyone can do it, but not everyone has the time – and that’s where agencies like ours step in.”

Preparing for an AI-Powered Future

Masha expects the boundaries between content creation, performance marketing, and analytics to disappear. 

“Creator content will drive the top of the funnel, but performance marketers will own the strategy behind it,” she says.

Earlier this year, The Setters Agency launched an AI division dedicated to automating creative and analytical workflows, from generating visuals and chatbots to designing landing pages and lead magnets. 

“AI will be the engine that smooths and accelerates integration across marketing disciplines,” she predicts. “The only agencies that will survive won’t be content factories. They will be full-service brand partners, powered by AI and built for speed, scale, and performance.”

Balancing Creative Chaos and Process

For Masha, the most important leadership lesson has been blending generations and work styles. 

“My biggest principle is finding the right balance between Millennials and Zoomers,” she says. “Zoomers bring the edge – they live on TikTok, spot trends before they hit the algorithm, and talk to AI like it’s their roommate. But they often lack patience and process. Millennials and Gen X know how to turn that raw creativity into systems.”

The balance between creativity and control, content and commerce defines The Setters Agency’s trajectory. Eight years in, Masha’s mission remains the same as when she left corporate life: turn social media from a stage into a storefront.

“Sales on social media should be intentional, not occasional,” she concludes. “If you’re not connecting your content to revenue, you’re just collecting digital dust.”

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Cecilia Carloni, Interview Manager at Influence Weekly and writer for NetInfluencer. Coming from beautiful Argentina, Ceci has spent years chatting with big names in the influencer world, making friends and learning insider info along the way. When she’s not deep in interviews or writing, she's enjoying life with her two daughters. Ceci’s stories give a peek behind the curtain of influencer life, sharing the real and interesting tales from her many conversations with movers and shakers in the space.

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